A Tale of Mermaid Tattoos

In 1983, I decided to get a tattoo.

In part, it was a social experiment. I had recently completed a contract which had me living with Navy SEALs for a few months, and had begun to see the differences in how others reacted to the guys with and without tattoos. It was long before tattoos had gone mainstream – in fact, tattoo parlors were still illegal in New York City, as well as many other places. Still, I felt a tattoo fitted who I was at the time, and decided to get one which could easily be covered by a short-sleeve shirt, and which could also be partially or fully exposed, if I so desired.

I commissioned the artwork from Dawn Wilson, a well-known Science Fiction illustrator, and was very pleased with the design she came up with. Then, I set out to find a tattoo parlor and learn more about what was involved. I ended up visiting every tattoo artist I could find from New York through Virginia, and met a lot of interesting characters. That story will have to wait for a much longer post (or series of posts).

Early in 1984, I settled on Great Southern Tattoo in College Park, MD. Charley And Sandy Parsons were (and are) talented artists, and they sterilized all of their needles in an autoclave. I felt safer there, and I liked them personally. This was, incidentally, just a few months before my daughter was born.

Having found the tattoo parlor, I sat for a 2 1/2 hour session, and then the social experiment started. The details of this will also have to wait, but I feel confident that I would not get similar reactions if I were to do it today. I have also never regretted having the tattoo. I’m still looking for old photos of the actual tattoo, but haven’t found any so far.

Original artwork for my tattoo

Fast forward 22 years. I was diagnosed with testicular cancer, and underwent surgery and radiation treatments. My Radiation Oncologist tattooed a grid of dots on my body to ensure that I was lined up exactly the same in the beam every day.

This gave my darling Goth Princess daughter the idea to have a tattoo done in my honor (by this time, she already had three). Over the course  of the next couple of years, Maeve had a friend design the tattoo, and worked in a number of features referring to me:

  1. It’s a Mermaid
  2. Her shirt is made from a torn-up Diver flag
  3. She is holding a Chaos symbol
  4. Hidden in her hair are my initials

Maeve had her tattoo done at Read Street Tattoo Parlor in Baltimore, MD. All in all, it took 3 sessions and a total of 4 1/2 hours. It was supposed to be a surprise, but when the time came for her first appointment, nobody else was available to sit with her, so she called me. With the cat out of the bag, I accompanied Maeve for all three sessions Here are photos taken at the end of each one.

Meave, end of session 1 Meave, end of session 2 Meave, end of session 3

The folks at Read Street were interested in seeing my “old school” tattoo, and until I found myself having to explain what it was, I hadn’t realized just how much it had faded over 26 years. So, I went back to Great Southern (at their new location in Alexandria, VA), and had mine touched up. It took about 2 hours, and came out great. What’s more, they did it for free, explaining that their work is guaranteed, and that includes touch-ups. You can’t beat that for customer service.

Once I find an  old photo of my tattoo, I’ll add it here. Here is a before and after, though. The first was taken the day before my touch-up, the second as soon as it was done.

My tattoo, 26 years old, before touch-up My tattoo, immediately after the touch-up

If you’re in the Baltimore-Washington area and looking to have a tattoo done, consider Read Street Tattoo Parlor and Great Southern Tattoo.

17 December 2010 Update

My story was featured on the cover of the December 2010 issue of The Beacon Newspaper.

In the Studio with Voice Coaches

Recording a commercial...

Recording a commercial...

During my college days, I spent a lot of time in the studio of WJHU Radio in Baltimore, as their first News anchor.

In the years since then, I’ve missed the studio work, and folks frequently ask me if I’m not the guy they heard on some TV or radio ad. As a result, I’ve often thought of trying to get some work doing Voice Overs.

The one thing I was missing, aside from practice, was a demo. You can’t get anyone to hire you if you can’t send them a demo, and it needs to be properly produced.

Well, as I now have some time on my hands, I booked sessions with Voice Coaches in Schenectady, NY, and I’ve been working with them this week. I’m taking some courses on working in the modern production studio (they don’t use tape anymore?!?!?), and both improving and modernizing my presentational style. We’ve also recorded a number of tracks to use in producing my demo. I’m really learning a lot, and having some fun, as well.

Addendum

As of 27 August, demo production has been complete for several weeks, and the new web site is up and running! Check it out here.